Michelle Ettrick

Artist Statement

I love being a maker and clay is my medium of choice. Clay is a very personal material to me. When I put my hands in the clay and my fingers get lost in the mixture, for the moment, we become one. I stretch pull, pinch, and form shapes where I leave evidence of my having been there. I follow up by drawing on my work where I embrace my natural curly hair, heritage, womanhood and at times current worldly struggles. My artwork is a record of my experiences as an Afro-Latina.

Artist Bio

I was a non-English speaking 13-year-old when I arrived in the United States in 1982. Life in Brooklyn, New York was a stark contrast to my early memories of Panama and the simple joys of climbing trees and playing with my friends while my mom was nearby hanging clothes on the line. As an Afro-Latina, I struggled to find a community that would accept me and where I felt I belonged. My own identity was regularly challenged by others who judged me by the texture of my hair or the fact that I spoke Spanish fluently and struggled to communicate in English. When judged by adults and my peers, my hair was “too good” to be considered black and the color of my skin was too dark to be speaking Spanish. In addition to the hardships, I have many fond memories of my time in New York. Brooklyn is where I learned about double-dutch and cooling off from the New York summer heat in the open fire hydrants. I received my BFA in Ceramics from the University of Florida in 2015 and my MFA from Penn State University in 2019. I currently live in Duncansville PA, and I teach Ceramics at Penn State University Altoona as an Adjunct instructor from January of 2020 till now. I have been published in the book The Anatomy of a Good Pot - Page 28 in 2021 as well as Contemporary Black American Ceramic Artist – Page 120-125 in 2022. I have also had articles in Studio Potter “Bridges – The Journey of Michelle Ettrick” and Ceramics Monthly “Michelle Ettrick: A Living Line by Glen R Brown”