I make my forms on the potter’s wheel throwing primarily with porcelain and occasionally a smooth, white, stoneware clay body. The thrown pots are built on basic geometries, cylinders or cones varying in proportion with a suggestion of volume. To these forms, I add layers of texture and dimensional line that respond to and emphasize the actions to follow. I alter my structures immediately after throwing them when they are still wet on the wheel, this alteration is a push into the inside or outside of the wall, expanding the texture from behind, creating curves and swells in the form. This way of working naturally creates suggestions of terrain, body, and flora; parched earth, a body in motion, or the imminent decay of something overripe.
Aysha Peltz a studio potter living and working in Vermont. Peltz and her husband, Todd Wahlstrom, also own and operate StudioPro Bats. She received her BFA and MFA from Alfred University. Peltz currently teaches ceramics at Bennington College and has taught at a number of schools and art centers. Peltz’s work is in many collections including: the American Museum of Ceramic Art, Jingdezhen Ceramic Institute, and the Huntington Museum of Art, where she received the Walter Gropius Master Award.